The Essentials of Three-point Lighting

So what is Three-point lighting really all about. Consider this re-blogged post by Richard Harrington and James Ball.

Richard Harrington's avatarPhotofocus (old site)

This article was cowritten with my friend James Ball

Three-point lighting is the basic starting point for film and video. It can also be used well as a portrait lighting approach for photography.  What’s ideally happening is that the subject is light in a way that illuminates their face (with one side more dominant) and some separation from the background. This method utilizes three light sources focused on the subject from different angles. Mastering this technique is the foundation for more advanced lighting strategies. This approach is the basis for portrait lighting, but it can be used in other situations as well.

Ch05_3pt1

Key Light

Ch05_Key1The key is generally your most intense light and is placed 15–45 degrees to the side of your subject. The main purpose of the key is to wrap the face in the appropriate quality of light based on the subject’s features and the story you want to tell.

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Acquiring Images for Photoshop — JPEG vs. Raw [UP9]

The alphabet soup of acronyms and codecs can often be as confusing as the work itself. As usual Richard Harrington does a great job of demonstrating and explaining the benefits and pitfalls of acquiring JPEG vs RAW images.

Richard Harrington's avatarPhotofocus (old site)

Understanding Photoshop is a biweekly column that takes an in-depth look at how digital photographs are built and manipulated.  It is a college-level course in plain English for free at Photofocus.  To learn more see this article.

Don’t Skip Column 8

Shooting JPEG vs. Raw

Fig 03_04 MemoryWhen digital cameras became commercially available, the memory cards used to store pictures were very expensive. Many photographers couldn’t afford multiple or high-capacity cards, so they wanted more images to fit on a single, smaller card. Many users also emailed their pictures to friends and family. Small file sizes enabled consumers who lacked an understanding of digital imaging to attach photos to emails with minimum technical headaches. With these two scenarios in mind, manufacturers turned to an Internet-friendly format, JPEG (Joint Photographic Experts Group). It was a proven technology and one that was familiar to many users.

What is a JPEG File?

The JPEG format…

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Five Lessons from a Career in Sound (so far)

How much does a video cost?

How much does a video cost?.

Who’s who on a film Crew? Film Set Roles Identified

Who’s who on a film Crew? Film Set Roles Identified.

10 Reasons All Small Businesses Need Video Marketing

10 Reasons All Small Businesses Need Video Marketing.

The first rule(s) of content

Catherine Chambers's avatarCut a long story short

The first question I ask people who approach me about producing video – be it subject matter experts or delegates on my visual storytelling course is: who are they trying to reach and engage? Who is the audience?

This is then followed by ‘what do you want the audience to take away from this?’

The second question helps identify whether your video is likely to reach the target audience by questioning any preconceived assumptions that you may have made in the first.

Burns Library, Boston College

It’s not uncommon for production to begin, and even be delivered, with little real thought about the intended audience or the purpose (or key messages) of the content.  In broadcasting these are fondly known as “take-aways”, to which an academic friend joked, ‘Ah, the Tikka Masala theory of education!’ Whereas in education, they are more commonly referred to as learning outcomes.

Ensuring that a piece of content delivers on the…

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[Infographic] Finding the Balance Between Curation and Creation

Finding the sweet spot between content creation and curation also applies to the world of journalism. It appears in the rush for more and faster we often forget about the lateral aspects of web based journalism, data mining collective research and the need for careful vetting of sources. Continue reading

Why You Need To Be Ready For the Podcasting Revolution

Why You Need To Be Ready For the Podcasting Revolution.

Tips for Live Shots

One thing that makes live reporting seem awkward is the reporter’s fear of making a mistake or looking strange. The most important elements to help you avoid those awkward moments are knowledge of the situation and practice.

Beyond that here are some tips from our Cronkite live reporting class to help improve your presentation. Continue reading